Pieces of What

why won’t you let me

be your mediocre mess,

away from the rest?

working on an all nighter, so of course i’m going to write a song first, duh. 

(and yea, that’s a CSUN shirt)

~

i’ve been wondering, baby, “Why you hangin’ by the door?”

its been six weeks and your dancing’s getting borin’

.

well i don’t think that i have been the honest one, no honest son.  i’ve been writing my plans on the back of these matches and burning them off one by one.

.

i’ve been wondering baby “Why you walking through my door?”

haven’t been myself and still you’re comin’ back for more.

.

well i don’t think that i have been the honest one, no honest son.  i’ve been writing my plans on the back of these matches and burning them off one by—

.

once i find myself you’ll see, there’s no retrospect for me to see. And i’ll hope for melancholy things to burst themselves out from their seams, and i know, yes i know, i can’t do it alone.

Tomorrow Night’s Haiku

You’ll keep up and I’ll

keep life like a pocket full

of unfinished drafts

Then she said something like,

“You don’t know how to unscrew me.

You don’t know what to hold next:

   the hips? the waist? My tangled hair?

You could never tilt me at the perfect angle

               swallow me whole,

digest me through your organs, suck out

all my vital nutrients and then mix it

with your blood. 

No, you could never love me, lover, because

       love is a man-made endeavor.

Love is a bullet shot straight through your

knee cap, shattering

skin down to cartilage,

down to a hollowed out bone.

Love is a lightweight binge drinker 

that can’t drive himself home and you’re

asleep on the backseat wearing funeral clothes.”

Started this song like 2 Februaries ago…Here ya’ go.

~

Dry Spell

.

I walked down across this February, sunburned on my back.  Will you listen to me now?  I once thought of the unusual, let’s pack our bags and go.  Will you please come with me now?

.

Because I won’t regret what’s said and done before I wake too late; I’m over this now.

.

I stepped over the last stepping stone in cemetery clothes.—Will you bury me whole?  I dried up the river right before the cemetery rain, but it never came.

.

So I won’t regret what’s said and done before it gets too late.  I’m over this now.

.

I can’t forget me all my wasted nights, no wasted times now; I can forget them all the same.  I can’t forget me all my broken times, no broken lines now; I can forget them all the same.  And it’s better to question than ever be certain again.

.

I walked down upon this broken street with broken bones to spare. Will you bury me whole? 

Go ahead and call

me the unintentional

heartbreaker, baby

Tune-up

Sometimes I wonder if my strings need changing,

or if the hollow body

of my guitar needs filling,

or if its crooked neck and rusted frets somehow

need intonating;

but then I pause to stutter

chords that Dylan showed me late last night,

on the car ride home, along with Lenon and the whole

quartet, and I realize my ears are stuck on silent yet

again and the reason Marley’s missing

is because he thinks the music hasn’t hit me yet.

~

http://www.youtube.com/watch?v=5NW-GmB2qpw

Sitting with empty

bottles, color venom, call

them round eleven.

Seeking Routine

Why do you insist on simple language for communication when, as we all know, your thoughts tell more?

Stealing sentiments and throwing them up-until they flee the sky and join the flow of comets’ streams; locking the doors of abandoned houses and closing windows on drafty nights.

It’s all just routine after all-the driving force of morning dread, the admiration of a weekend’s possibilities, the rope you braid each day to swing above your ahead.

… It’s the noise that you whisper before dressing for bed It’s the driving force of your morning dread It’s the admiration of a weekend’s possibilities, It’s the noose that you braid to swing over your head. It’s the sound of the moon as it slithers through moors It’s the closing of windows and the locking of doors It’s unopened letters piled high like ma’s temper and coke lines laced in mace whiter than Elvis Presley. It’s the train in derailment, it’s the closed-off collission It’s the blood in the gutter and untalked about rules It’s all just routine, catching up to your senses, coughing out of your belly with a sense of entitlement, like a cop , and it ain’t askin’ questions

Pretty girl, pretty

predictable, clanking the

same ol’ set of keys

wasted at the Coup d’état Hotel

The toilet bowl seat

reminds me of drunk tanks.

Except, instead of some over-

looked meth-head ranting on

about Goldstein and Brotherhood

.

plot-schemes, I’ve got a line of

barbarians rattled up to their hair pins,

about to implode into nut-shell

mink fedoras; gnashing porcelain

claws, and Swarovsky-lined tusks

stained with creme broulee breath,

pouring out of their snot holes as if bathroom

lines controlled some sort of finite existence.

.

I’m not one to complain, but

I think I like the drunk tank better.

At least there, with a bolted-down

toilet made of metalized cold,

churning vomit-camouflaged shit stains,

everyone took turns—you know—

mannerisms, the filler a good mom

stuffs you with after slappin’ up your jaw and

leaving her rosemary mark upon

your baby-fat cheek year over year, again.

.

The meth head spewing bile atop

LA-County’s open sewer hatch

never threatened me,

he just coughed a lung and held it up

long enough for everyone to see;

drooping like a prized fresh-water fish,

.

like some fair-ground trophy only he

could win—and, you know what,

he deserved that iron lung bravado, throbbing

in its asthmatic beauty—every

saggy-eyed cellmate knew it.

.

Even after slipping past me,

slapping my ass like some last-call

relief pitcher walking into a dread-knot game and

whispering “fuck those pale-faced Bourgeois”—

I didn’t really mind. I didn’t even hide;

just followed his laughter like a little-

kid brother and let him show me around.

So here’s a new year

Thirteen hours,

thirty flashbacks later,

you’re still drunk

off glitter gloss, champagne,

.

and broken English catch-

phrases.  Your hind legs buckle

as you remember the dancers:

let loose like kicking cattle

running from an eager prod.

Like freckled skins of clothing

.

dried in wind tunnel airways, you

grope for the walls of a city left

lonely for tonight—just tonight.

.

Your brain expands like a hot air balloon

holding a family of confetti, peppered over

raw hides of line dancers now leaving on cue,

riding transparent turnpikes

.

’round gropers at midnight,

’round cuneiform flesh lines hugging

wedding ring fingers, before finally

reaching the floorboards, damp

.

with Merlot and shallow pop lyrics—

trampled, kicked, and pissed upon.

.

You can insist resolutions all year long,

but when that giant disco ball shimmies

toward ground zero

and she’s bared down to just that

jaw-bone, pucker-up smile—boy,

you better bounce.

.

Bounce back towards the car,

back way up past 3rd.

.

Bounce out of the sand dunes full of

tar and maroon from the wine that you

.

poured yourself full by the stool.

Bounce black like the shadows that

.

followed you home, like the pebbles stripped

off’a there walked-along shores

and tossed deep into waters that

ripple past crows,

perched one-legged on

.

Christmas trees shriveled to twigs,

with adhesive eyes sticking awe-struck

.

for nights,

with a retina clung loosely

like the perforated edge of an unopened pay-check

.

begging costs for attention, or at least

somebody able enough to carry you home.

i’m at the foot of the bar 

where it all makes sense

and i’ll be with it in a min-

ute, just let me finish sip-

pin’ on this cup of dread;

c’mon and put me to bed.

she likes driving

You’re always so damn thoughtful.

Like when we coasted through

Sepulveda pass—last month, I think—

and my ears each popped a couple times

as they often do when switching heights.

.

And even though the cops might’ve

seen us, as they often do

this late at night,

and even though I still had wine to finish—

like the crumpled poems stuffed in my shelf,

like impartial lyrics missing nouns—

.

you hardened headlights to a sty

and laid your car to steady sleep

beneath some low, disheveled willow tree

you said you’d passed sometime before,

.

when peering off the 405 to find some place

to drag your tires

     and let your sobered brain cells scream out loud.

“The willow’s like a hermaphrodite,” you said,

.

bottling up a corkscrew laugh. “It’s got both men

and women parts so it’s like they’ve never

really learned to be their part.”  But as we smoked like

       placid road blocks blinking CAUTION 

with the heater on, I noticed how the 

.

willow’s crooked neck

just hung there as if cradling the car, 

while it creased the pavement at its feet

with roots burst underneath the ground.

compressed into words,

that’s how I will remember

the length of your smile